While they decrease competition and raise prices, they serve as incentives to generate a supply of new and valuable works and useful ideas. For an example: about once a month, somebody posts a bunch of Doc Savage novels as available upon Amazon Kindle, usually with either copied original cover art or block letter cover art. And without rigid boundary conditions, there is no rigid dilemma, either. Post was not sent - check your email addresses! How do you incentivize someone that is dead to make more works (unless you are Tupac)? They cannot negotiate that option realistically. But there is an alternate universe in which human society developed differently, and copyright did not become a thing. Rédigez votre avis. Setting aside the practical difficulty of renegotiating the Berne Convention, I’m not sure what the optimal balance even would be. I think that is a real lost as barely anyone who knew the man and his context will be alive to play a role. • Full copyright protection for X years, followed by required fixed-price licensing for Y years (so the creator no longer has creative control, but does continue to get income). Plenty of illustrators do work for hire and do not retain the rights to their work. I hope it makes us kinder, too. So it seems like there should be a way both sides can win – the parody-writer gets legal cover and can make money off a parody, and the original songwriter (or other creator) gets their cut as well. And even then it does not cover RECORDING those covers, only performing them for a live audience. We had our last rehearsal on March 10, the same day as the choir in Washington state where over half the attendees were infected at the rehearsal and two died. Depuis, un autre roman dans le même univers, Prise de tête, est sorti en octobre 2018.Les Enfermés est un roman assez court et il est suivi d’une longue nouvelle intitulée Une Histoire orale du syndrome d’Haden. 154. The US is not going to withdraw from the Berne Convention, and the Berne Convention is not going to be altered in any serious way, especially not in a way that drastically limits authors’ rights. That’s the only reason the US changed over to follow Berne copyright in 1989. While you’re imagining an impossible world, can I have a pony? The moral/ethical case is ironically the easiest to make: think of the public good! 9. But one of the things these modest fees do is they put a burden on poorer writers, who may not have the money to protect their back catalogue regularly, while large companies like Disney could have a full-time department paying what to them is pocket change to reflexively hang onto everything. Read Request Week 2021 #6: Krissy and Dogs, Reader Request Week 2021 #5: American Fascism, Reader Request Week 2021 #4: Living on a Boat. This would deal with out of print works — if the authors or publishers thought they had any significant commercial value, they would pay the tax. Having just received my first shot of Pfizer on Monday, I will remain semi-vaccinated until April 1. David:”I don’t believe your trademark/patent equivalency is working”. It meant that one only had to determine the year of publication to know if a work was protected, and that the problems of determining if the rights-holder was still alive would not apply. Mark Twain wrote ironically on this subject, see https://americanliterature.com/author/mark-twain/short-story/petition-concerning-copyright. I mentioned patents only a bit, but for the vast majority of patents, i dont have much problem with them. Humanity has a right to expect life-saving medicine or life-enhancing pharmacopeia. Life plus 75 which is what we have now is kind of ridiculous, with the only benefit being to corporations. The people who can’t afford that time and money are often going to be the people who most need to hang onto their rights. The tax form would also provide contact info for the copyright holder or an agent, to be disclosed in the Copyright Office records, thus obviating much of the orphan works issue. She was planning on going the morning of March 12 for a few odds and ends. Stage actors and orchestra musicians are paid per performance or by salary. That half of my business is still dead. (So is the measurement by the life of the author, and if you think that the first try of “life of the author plus nothing” didn’t give publishers incentive to have some authors murdered, let me point you to a number of entries in the All England Reports…). Authors/Editors/Publicists: for information on how to participate, click here. we are not sitting in front of our computers thinking, “whats the best way to personally fuck over John Scalzi? There seem to be enough of these people, who think just taking vitamins is protection, that there may be a long tail to getting to real herd immunity. We would still honor that payment. But honestly it didn’t feel much different since we didn’t have the protests and riots of large cities nor the lockdowns after May. their products. par John Scalzi. In fact, you’re in moderation indefinitely from here on out. If we’re playing Fantasy Copyright Legal Team.). Doing a true sliding-scale would be a tracking nightmare, but decade-long windows (“20-29 years: $X and %Y”) seem less difficult. The requirements would be something like this: the derived work must sound sufficiently different that it cannot serve as a substitute for the original work, there would be set rates for major elements (base tracks, riffs used throughout) and minor elements (short inserted clips that appear once or a limited number of times), and a ceiling of 50% of royalties for the mashup (if the set rates exceed that number, payment for all the elements would be reduced proportionately, recognizing that there are diminishing returns when songs use a large number of other elements). . And yes, practically speaking, those hewing strongly to the “creator” viewpoint have basically no reason to compromise, because there’s a well-entrenched system of copyright that is stable, predictable, and serves them quite well. a parody must comment on the original in some way). We go back in 2 weeks for the second. But: Agree about this being unlikely, considering there Berne convention, and So tonight I got the (Oxford-)AstraZenaca one. Summary. I have no idea whether the new publishers even contacted the old one, much less me. Huh, well, I actually learned something new about American copyright law today, which is that it’s even longer than I thought it was in some instances. Again, none of this applies to Corporate Copyrights. Some spent more time on television than necessary and made confusing statements. *Unconvincing. A third just got the second. Learn from it and keep going. It is the difference between selfish decision making and moral decision making. Our luck: being isolated bought us time to appreciate the seriousness of the disease, having leadership brave enough to make the hard but correct decisions, and enough New Zealanders willing to work together to make that strategy work. The nurse asked if I had a problem with needles and I said no, I’m just grateful to finally be here. John J Scalzi, age 52, Virginia Beach, VA 23456 View Full Report. With all this stuff – copyright, patents, trademarks – all of them seem similar to me, the problem usually is that someone tries to cheat others, and in the end everyone loses. John Scalzi returns with Head On, the standalone follow-up to the New York Times bestselling and critically acclaimed Lock In. But it is worth considering as a counterbalance to those who advocate for a very short copyright term. In the rare case that the author wrote something at say age 20, and lives at least to 95 years old, there can’t be more than a handful of cases where the title is still relevant, much less profitably publishable, especially if the case is that they didn’t write more works as their life went on. Or by fiat? E.g., I’m an academic who works at the intersection of philosophy and theology. I’ve had both my shots (Moderna), along with all my co-workers; and so have most of my friends. But the Supreme Court weighed in a few years ago with the opinion that a “too long” time existed, but took no position on how long that was. Congrats on getting your shot appointments! Its OUR ‘fucking business’.”. (Not to mention that if creators *do* want to offer their creations in a substantively freer fashion to the public before their copyright term expires, they already have options via Creative Commons and estate planning; for those folks, it’s a somewhat solved problem.). It’s not like the World Copyright Force would show up with guns blazing. Maybe in europe. So I’ve been WFH for a year, though I have been able to go into the office once a week since summer. There are doubtless other ways to handle orphan works or out-of-date tech manuals than to take rights away from all authors (unless they can pony up). and sold all the stage and film rights for a one-time fee of $35,000–admittedly, big money for the period, but peanuts considering that after the play (translated) was a major success on Broadway, it became an Oscar-winning movie, not to mention a Tony and Olivier winning musical 50 years later…from none of which she got a cent. Also, Greg, step off the thread. Authors should have the opportunity to benefit from their work whenever (and if ever) it generates income, certainly in their life. I feel like we are finally turning a corner – the pandemic is far from over but our city as of today has vaccinated ~16% of residents 16 years of age and older which is meaningful progress by any metric. 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