Portrait of Galeazzo Sanvitale. The count stares out at the viewer, calmly daring anyone to challenge his innate physical and intellectual superiority. Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. Download Full PDF Package. Download this stock image: Portrait of Galeazzo Sanvitale. [1], The portrait, together with the whole Farnese collection, was moved from Parma to Naples in 1784. Le visage d’un jeune prince plein de spiritualité et de noblesse mérite notre attention, nous regardant directement avec attention. On a table behind Sanvitale are pieces of a shining armor and a flanged mace, symbols of his military role as condottiero. 38105 images are available with authorization; descriptions are openly available.. People affiliated with the University of Michigan can log in to view them. There is no historical record that Sanvitale practiced alchemy: although Parmigiano likely did, art historians have found no reason he should insert coded elements into a portrait. Parmigianino / oil on panel. He wears a wide black jacket, according to the contemporary alla Francese ("French-style") fashion, under which two red sleeves and the white shirt (with embroideries at the wrist) are visible. - 2AGRJ27 from Alamy's library of millions of high resolution stock photos, illustrations and vectors. He died on 8 Septe… Access more artwork lots and estimated & realized auction prices on MutualArt. Get premium, high resolution news photos at Getty Images He wears a wide black jacket, according to the contemporary alla Francese ("French-style") fashion, under which two red sleeves and the white shirt (with embroideries at the wrist) are visible. Q 111), facente parte della Collezione Farnese. Portrait of Galeazzo Sanvitale (1524) is a painting of the condottiero Gian Galeazzo Sanvitale by the Italian late Renaissance artist Parmigianino. Creator: Parmigianino (1503-1540) Portrait of Galeazzo Sanvitale, 1524. Condition:--not specified. Eucherio was the son of Gian Galeazzo Sanvitale, and had inherited the family's possessions in 1550. The other hand is wearing a glove, and shows a bronze medal with two symbols. The French removed it in 1799, and it was later at Palermo until 1816, before returning to Naples. The meaning of the number is subject to several speculations. Title: Portrait of Galeazzo Sanvitale; Creator: Parmigianino (Francesco Mazzola) Date Created: 1524; Medium: oil on panel; Get the app. Perfect Oil painting parmigianino - portrait of galeazzo sanvitale & his armor. Feb 27, 2016 - ‘Portrait of Gian Galeazzo Sanvitale’ was created in 1529 by Parmigianino in Mannerism (Late Renaissance) style. A short summary of this paper. A descendant of Galeazzo Sanvitale, Luigi, recognized his ancestor based on some documents, in 1857. --PFHLai 15:16, 11 September 2011 (UTC)Are you thinking of fixing up the person article? It was created by Parmigianino in 1524. Portrait of Galeazzo Sanvitale is an artwork on USEUM. Portrait of Galeazzo Sanvitale (1524) is a painting of the condottiero Gian Galeazzo Sanvitale by the Italian late Renaissance artist Parmigianino.It is housed in the National Museum of Capodimonte, Naples, Italy.. History. Behind a wall, on the right, is a landscape with a tree. He also executed the Stufetta of Diana and Actaeon and a cycle of frescoes in the private room of Paola Gonzaga, wife of Gian Galeazzo Sanvitale. Portrait of Galeazzo Sanvitale, 1524, by Francesco Parmigianino Giclee Print. (47 x 37.5cm.) Museo e Real Bosco di Capodimonte Italy. Item Information. View sold price and similar items: Oil on Canvas, Portrait of Gian Galeazzo Sanvitale from Nye & Company on May 4, 0120 10:00 AM EDT. Find more prominent pieces of portrait at Wikiart.org – best visual art database. It is housed … It has been connected to alchemy, an allusion to the Moon and Jupiter or to the conjunction of the Sun and Moon, referring in turn to the marriage of Galeazzo and his wife Paola Gonzaga. Find more prominent pieces of portrait at Wikiart.org – best visual art database. Malgré l’attirail militaire, l’image est imprégnée d’une aristocratie subtile et d’une dignité restreinte. The work, dated 1524 on the rear, was executed during his stay there, before he moved to Rome the following year. [2], The left hand lies on the chair's armrest: it has a golden ring with a stone on the little finger, and holds a glove, near the sword's hilt. This post is also available in: Italian French Spanish German Portuguese (Portugal) Russian During the various changes of hands the painting lost its original identification, and was considered a portrait of Christopher Columbus (likely due to the presence, in the hat, of a representation of the Pillars of Hercules) from Raphael's school. Portrait of Galeazzo Sanvitale Portrait of Galeazzo Sanvitale is a painting of the condottiero Gian Galeazzo Sanvitale by the Italian late Renaissance artist Parmigianino. The work is a "parade portrait", destined to enhance the count's image in front of his guests, and not a private depiction: this is visible in the rich display of objects showing his interests and his refined costumes. Amazon.com: Berkin Arts Parmigianino Classic Framed Giclee Print On Canvas-Famous Paintings Fine Art Poster-Reproduction Wall Decor(Portrait of Galeazzo Sanvitale) #JK: Posters & Prints Parmigianino worked for a short period at the Sanvitale family court in their "Rocca" (palace-fortress) at Fontanellato (in what is now the province of Parma). This paper. The French style of the clothes is an allusion to the political allegiance of the Sanvitale at the time. He served as Archbishop of Bari-Canosa until his resignation in 1606. Details about Perfect Oil painting parmigianino - portrait of galeazzo sanvitale & his armor. It's the only thing holding back this nomination. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). He also executed the Stufetta of Diana and Actaeon and a cycle of frescoes in the private room of Paola Gonzaga, wife of Gian Galeazzo Sanvitale. The work was part of the Farnese collections in 1587, when it is mentioned for the first time in an inventory. Sold for £ 540 (US$ 737) inc. premium British & Continental Pictures. 15 Dec Article. "This masterpiece of Parmigianino's early activity dates from the years in which the artist, before travelling to Rome, was decorating with the myth of Attteone a "bath" of Rocca San Vitale di Fontanellato. The other hand is wearing a glove, and shows a bronze medal with two symbols. Il s’agit du portrait de Galeazzo Sanvitale, peint par l’artiste en 1524. The French style of the clothes is an allusion to the political allegiance of the Sanvitale at the time. The meaning of the number is subject to several speculations. [1], There are some preparatory drawings at the Cabinet des Dessins of the Louvre (6472 recto and verso) and in the Tobley Collection. Portrait of Galeazzo Sanvitale, 1524. [1] During the various changes of hands the painting lost its original identification, and was considered a portrait of Christopher Columbus (likely due to the presence, in the hat, of a representation of the Pillars of Hercules) from Raphael's school. 37 Full PDFs related to this paper. These symbols have been interpreted as a "C" and an "F", hinting to title of Comes Fontanellati ("Count of Fontanellato"), or as a "72" (based on earlier inventories). Holy Family with the Infant Saint John the Baptist, Portrait of Pier Maria Rossi di San Secondo, Portrait of Camilla Gonzaga and Her Three Sons, https://en.wikipedia.org/w/index.php?title=Portrait_of_Galeazzo_Sanvitale&oldid=1013693139, Articles with Italian-language sources (it), Creative Commons Attribution-ShareAlike License, This page was last edited on 22 March 2021, at 23:13. Collection Access; There are no openly available images. Buy Parmigianino for iPhone XR Case/Art Cellphone Case/Giclee UV Reproduction Print on Mobile Phone Cover(Portrait of Galeazzo Sanvitale): Basic Cases - Amazon.com FREE DELIVERY possible on … Found in the Collection of Museo di Capodimonte, Naples. portrait. The elegant beret is in the same scarlet as the sleeves, and sports gilt pearls, a plum and a decorative cameo. Lot Essay. Portrait of Galeazzo Sanvitale (1524) is a painting of the condottiero Gian Galeazzo Sanvitale by the Italian late Renaissance artist Parmigianino. In his portrait of Gian Galeazzo Sanvitale, Count of Fontanellato, whose villa Parmigianino brightened with inspired variations on Correggio's frescoes in the Camera di San Paolo, the sitter's self-confidence is extraordinary. The French removed it in 1799, and it was later at Palermo until 1816, before returning to Naples. The Portrait of Galeazzo Sanvitale is an oil painting on canvas (109×81 cm) Parmigianino, dated 1524 and preserved in the National Museum of Capodimonte in Naples. The bio Gian Galeazzo Sanvitale lacks inline citations (I'll remind the author), but the portrait article should be okay for DYK. A descendant of Galeazzo Sanvitale, Luigi, recognized his ancestor based on some documents, in 1857. There are at least two old copies of the painting, one in the Uffizi depot (inventory 3971) and one at the Walker Art Center of Minneapolis, United States. It is housed in the National Museum of Capodimonte, Naples, Italy. The work had been perhaps acquired by duke Ottavio Farnese in 1561 when he acquired from bishop Eucherio Sanvitale the casino (mansion) of Codiponte, in the Ducal Park of Parma. The re-attribution to Parmigianino occurred in 1894. View all. View in Augmented Reality. 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