'” (47). ‘In the Loge’ was created in c.1874 by Pierre-Auguste Renoir in Impressionism style. Adulthood [30 marks] 'La Loge' (Renoir) and 'At the Opera' (Mary Cassatt) Mary Cassatt (1844 - 1926) Pierre-Auguste Renoir (1841-1919) Impressionist Impressionist 'La Loge' 1874 Pierre-Auguste RENOIR Oil on Canvas Mary It is part of the collection at the Courtauld Institute of Art in London. 12 - Eva Gonzalès (French, 1849-1883). A directly comparable color fashion plate has not yet been found, but, as Ribeiro explains, such publications “relied on high-quality coloured plates,” hence black and white striped dresses were rare (47). 11 - Mary Cassatt (American, 1844-1926). King & McGaw has an extensive collection of art prints by established and emerging artists, which are all framed by hand in the UK. 9) that features striking black bows and a white rose at the center of the neckline much like Nini’s real flowers, and a more casual silk white and light blue dress (Fig. Vignon (Fig. The Latest French Fashions from The Queen, The Lady's Newspaper and Court Chronicle, January 7, 1871. 1874 – Pierre-Auguste Renoir, La Loge Posted by Juliana Bui | Last updated Aug 1, 2018 | Published on Jul 31, 2018 | 1870-1879 , 19th century , artwork analysis In Renoir’s Loge, he paints one of his favorite models Nini Lopez in a black and white striped dress in the context of a theater box–a fashionable dress style, but a questionable fit for the occasion. Not much was changed except for a few minor details, outlined by John House, Ernest Vegelin van Claerbergen, and Barnaby Wright in the catalog of Renoir at the Theatre: A Look at la Loge: “The X-ray (Fig. In Renoir’s Loge, he paints one of his favorite models Nini Lopez in a black and white striped dress in the context of a theater box–a fashionable dress style, but a questionable fit for the occasion. Oil on canvas; 80 x 63.5 cm (31 x 25 in). Lithograph; 42.7 x 28.4 cm (16 13/16 x 11 3/16 in). Hij schilderde het in 1874 en stelde het datzelfde jaar tentoon op de eerste expositie van de impressionisten. Aileen Ribeiro also mentions its fashionability in her essay “The Art of Dress: Fashion in Renoir’s La Loge“: “Nothing could be more à la mode than the dress worn by Edmond’s companion, Renoir’s model Nini Lopez, for striped outfits were all the rage in the early and mid 1870s, as fashion journalism indicated. House further explains the origin of the nickname: “In the imagery of the period, following contemporary physiognomic theory, fashionable women from a ‘good’ background were standardly depicted with wide-spaced eyes and delicate cheekbones, mouth and chin; in contrast to this stereotype, Renoir’s figure has a slightly puffy, bloated face and wide, fleshy mouth.” (32). On less formal occasions at the theatre, women in boxes wore toilettes de soirées, with modest décolletage and sleeves usually to the elbow.” (54). Montifaud, however, thought she was ‘a figure from the world of elegance.’ Their views are not, of course, necessarily contradictory. La Parisienne is an oil painting by the French artist Pierre-Auguste Renoir, completed in 1874 and now displayed at the National Museum Wales in Cardiff. Source: Art Institute of Chicago, Fig. Ireson, Nancy. The Box at the Opera (La Loge), 1874 Pierre-Auguste Renoir (1841-1919) Location: Courtauld Institute of Art London United Kingdom Original Size: 80 x 63.5 cm Before La Loge, paintings of theater boxes did not commonly exist, with Renoir’s depiction only preceded by Honoré Daumier (Fig. Afbeelding van schilderij 'De loge' uit 1874 van de Franse impressionist Pierre Auguste Renoir, collectie: Courtauld Institute of Art te Londen 6 - Pierre-Auguste Renoir (French, 1841-1919). The entry on Loge in Larousse’s Grand dictionnaire noted that the view from the avant-scène boxes, was the worst in the theatre, but commented, “The avant-scène boxes, whose occupants are exceptionally visible, are sought by people who pose and want to put on a show.” (34). 4 - Pierre-Auguste Renoir (French, 1841-1919). Unless specifically noted, images used in the Timeline are not subject to this Creative Commons License applied to the written work from the Timeline. Source: The Metropolitan Museum of Art, Fig. Oil on canvas; 93 x 74 cm (36 9/16 x 29 1/8 in). Fig. Oil on canvas; 80 x 63.5 cm. Vienna: Albertina. Boston: Museum of Fine Arts, 10.35. He was very close to Monet both personally and artistically in style and painted with him on several occasions during this period. 12) to name a few. 1 - Honoré Daumier (French, 1808-1879). Nini in the Garden, 1876. The dress also has appliquéd black ruched tulle and sleeve ruffles made of machine-made silk lace (Ribeiro 47). Source: Wikimedia Commons, Fig. La Loge, 1874. Source: Pinterest, Diagram of referenced dress features. Het kunstwerk In the Loge - Pierre-Auguste Renoir leveren wij als kunstdruk op canvas, poster, dibond of op kunstpapier. His hair is a bit longer than most men kept it at the time, which suggests that he is artistic and bohemian, but his faint mustache and beard go to show how he is a stylish for the period (Ribeiro 47). Oil on canvas; 61.9 x 50.8 cm (24 3/8 x 20 in). The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 2002, Bequest of Walter H. Annenberg, 2002. Auguste Renoir, La Loge, 1874, oil on canvas, 31 1/2 x 24 5/8″ / 80 x 63.5 cm (Courtauld Gallery, London) This painting was exhibited by Renoir at the first Impressionist exhibition in Paris (1874). Source: Author. Pierre-Auguste Renoir was a French painter who was among those who started the Impressionist movement in the late 1860s. She has he gaze- she knows she's the object of our gaze. Dress, 1874. Private Collection. Vignon (French). La Loge by Pierre-Auguste Renoir Exhibited at the first Impressionist exhibition in 1874, this painting depicts a fashionable couple seated in a loge (a theatre box). House, John, Ernest Vegelin van Claerbergen, and Barnaby Wright. She accepts being that spectacle In 1874, a ten-year friendship with Jules Le Cœur and his family ended, and Renoir lost not only the valuable support gained by the association but also a generous welcome to stay on their property near Fontainebleau and its scenic forest. However, Ribeiro explains how society changed its mind regarding this notion: “The notion (dating back to classical times) that luxury corrupted public morality was countered during the Second Empire with claims that the luxury industries (most obviously fashion and fashion accessories) were not only crucial to the French economy but were democratically available to all with money, an essential part of the national character.” (49). La Loge, 1874 by Pierre Auguste Renoir. 3) that was sold at an auction in 1875 (House, van Claerbergen, Wright 72-74). 11) and Eva Gonzalès (Fig. Album: Pierre-Auguste Renoir, #416/1207. Renoir - the-box-1874.jpg!PinterestLarge.jpg 280 × 361; 24 KB Renoir at the Theatre Looking at La Loge (without title).jpg 411 × 500; 124 KB Renoir at the Theatre Looking at La Loge… In 1874, for example, we find La Mode Illustrée (April) describing the preponderance of striped toilettes, and the Journal des Modes (July) declaring that ‘black and white is always pretty, and will always be admired. Source: Museum of Fine Arts, Fig. The obvious pleasure the painting gave them did not, however, make them overlook its purely pictorial qualities; on the contrary, Burty, Chesneau and especially Montifaud all praised them. Created by Beth Harris and Steven Zucker. Privacy Policy (function (w,d) {var loader = function () {var s = d.createElement("script"), tag = d.getElementsByTagName("script")[0]; s.src="https://cdn.iubenda.com/iubenda.js"; tag.parentNode.insertBefore(s,tag);}; if(w.addEventListener){w.addEventListener("load", loader, false);}else if(w.attachEvent){w.attachEvent("onload", loader);}else{w.onload = loader;}})(window, document); The Fashion History Timeline is a project by FIT’s History of Art Department. La Loge, 1874. Durand-Ruel koopt het werk van een andere verzamelaar voor 7.500 frank en houdt het langdurig in eigen bezit. 6). Ribeiro, Aileen. La Loge was produced in Renoir’s studio (The Courtauld Institute of Art) and was accompanied by a smaller 27.3 x 21.9 cm version (Fig. Het maakt deel uit van de collectie van de Courtauld Gallery in Londen, waar het als een van de topstukken geldt. Groom, Gloria. New York: The Metropolitan Museum of Art, C.I.69.14.12a, b. However, when it was first exhibited in 1874, the painting was reviewed by critics under La Loge, but also L’Avant-scène. With renewed importance and the rise in popularity and significance of the theatre scene, the latest fashions were often displayed both on the stage and in what the attendees were wearing (Ribeiro 53), and is shown through what Nini is wearing in La Loge. Fashion plate. Pierre Auguste Renoir, La Loge, 1874, oil on canvas, 31 1/2 x 24 5/8 in. Dance at Le moulin de la Galette. In this whims, This intricately carved medieval saddle, used cere, In Ingres’ 1856 portrait, Madame Moitessier wear, This Callot Soeurs evening dress, influenced by th, A highly successful artist in Amsterdam, Ferdinand, This late 19th-century embroidered tea gown combin, As she stated in an interview in 1964, Ann Lowe’, The Jazz Age: American Style in the 1920s (2017), Addressing the Century: 100 Years of Art and Fashion (1998), 100 Dresses: The Costume Institute, The Metropolitan Museum of Art (2010), We Were There: Harlie Des Roches on the Black Presence in Renaissance Europe, Hymn to Apollo: The Ancient World and the Ballets Russes, Frida Kahlo: Appearances Can Be Deceiving, Grand Opening of the Museum of Historical Costume in Poznan, Poland, The Courtauld Institute of Art: Art and Architecture, http://www.oxfordartonline.com/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000071492, https://babel.hathitrust.org/cgi/pt?id=inu.30000108702816;view=1up;seq=369, https://courtauld.ac.uk/learn/schools-colleges-universities/learning-resources/online-learning-resources-renoir-at-the-theatre-looking-at-la-loge/online-learning-resources-la-loge-in-detail, https://courtauld.ac.uk/gallery/what-on/exhibitions-displays/archive/renoir-at-the-theatre-looking-at-la-loge, 1568 – Bernardino Campi, Portrait of a Woman, 1791 – Rose Adélaïde Ducreux, Self-Portrait with a Harp, 1794 – Gilbert Stuart, Matilda Stoughton de Jaudenes, 1884 – John Singer Sargent, Madame X (Virginie Gautreau), Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, Distel, Anne. The Umbrellas. New York: FIT Special Collections. Oil on canvas; 27.3 x 21.9 cm. The Timeline offers scholarly contributions to the public knowledge of the history of fashion and design. Source: Musée d'Orsay. However, there were definitely a myriad of fashion plates depicting boldly striped dresses in similar evening styles such as a fashion plate from La Gazette rose‘s May 1874 issue that shows a boldly striped purple dinner dress (Fig. Woman at the Piano, 1975-76. Renoir’s La Loge (1874) and Mary Cassatt’s Woman in Black at the Opera (1877-78) both manipulate these techniques in contrasting manners – creating different styles of paintings, conveying different experiences of modernity, as defined by Baudelaire in “The Painter of Modern Life” (1863) as concerning the fleeting, the ephemeral and fugitive, as well as the anonymity of the crowd of strangers … Accessed May 6, 2018. Gift of Mary Pierrepont Beckwith, 1969. Nini also wears white gloves that go past her wrist and a gold bracelet. Produced by: Maria Gracia Turgeon, Habib Attia. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963. De loge (Frans: La loge of L'avant-scène) is de titel van een schilderij van Pierre-Auguste Renoir. 10 - Designer unknown. Prouvaire saw the woman as a typical cocotte, ‘one of those women with pearly white cheeks and the light of some banal passion in their eyes… attractive, worthless, delicious and stupid’. “Catalogue of the Exhibition.” In. I choose to look on at the La loge by Renoir. Consistent with this mission, the Timeline’s written commentary, research, and analysis provided by FIT students, faculty, and other members of the community is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. At the time, theatre was at the heart of the Parisian social scene and the loge was used by the middle and upper classes to display their wealth, relationships, and fashion. He was born in Limoges, France in 1844 and became an apprentice to a porcelain painter at 13 years old (Distel, Grove). LOGE Theater en opera domineerden het culturele leven in Parijs in de tweede helft van de 19de eeuw. In her right hand are a pair of opera glasses and she has a black and white lace fan resting in her lap. Posted by Juliana Bui | Last updated Aug 1, 2018 | Published on Jul 31, 2018 | 1870-1879, 19th century, artwork analysis. Fig. In the catalogue of the 1985 Renoir retrospective, Anne Distel summarizes the critics’ reaction to the portrait, some a touch more positive: “The critics who reviewed the 1874 exhibition dwelt on this painting at length and stressed its novelty. L'opera raffigura una modella di Montmartre di nome Nini Gueule de raie e Edmond Renoir, fratello del pittore, mentre si dilettano su un palco dell'Opéra di Parigi, uno dei maggiori enti lirici del mondo. Oil on canvas; 81.28 x 66.04 cm (32 x 26 in). ★ Image resolution: 799×1024 px. Het oordeel van Paris (1913-1914), Courtauld Gallery, Renoir at the Theatre: Looking at La Loge, Renoir at the Theatre: Looking at La Loge, Mevrouw Georges Charpentier en haar kinderen, https://nl.wikipedia.org/w/index.php?title=De_loge_(Renoir)&oldid=42395963, Wikipedia:Lokale afbeelding anders dan op Wikidata, Creative Commons Naamsvermelding/Gelijk delen. Juliana Bui, a Fashion Design BFA student at FIT (class of 2021), researched and wrote this while taking HA 301: Fashion & Impressionism, taught by Prof. De Young (Spring 2018). La loge by Pierre-Auguste Renoir‎ (12 F) M ... Media in category "1874 paintings by Pierre-Auguste Renoir" The following 33 files are in this category, out of 33 total. 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