Shapes of the fleets of barges, tows, lake and canal craft, river craft, Ship-yards and dry-docks along the Eastern and Western seas, and, The live-oak kelsons, the pine planks, the spars, the hackmatack-, The ships themselves on their ways, the tiers of scaffolds, the. Roar, flames, blood, drunkenness, madness. Shapes bracing the earth and braced with the whole earth. The one who clean-shapes the handle, and sets it firmly in the socket; The shadowy processions of the portraits of the past users also. Impressed by what he saw, Mason asked Esherick to illustrate Walt Whitman’s Song of the Broad-Axe, which Mason published in a limited edition in 1924. Nor the place of ceaseless salutes of new comers, or the anchor-lifters of the departing. Whose is that blood upon you, so wet and sticky?). Where the city of the best-bodied mothers stands. In Whitman's Hand | The hell of war, the cruelties of creeds. 1. Song of the Broad-Axe Publications is a publisher of new American fiction, essays, and poetry, and produces the latest in Chicago theater. The coffin-shape for the dead to lie within in his shroud, The shape got out in posts, in the bedstead posts, in the posts of. The door he enter'd again from a long and scandalous absence. Served all great works on land and all great works on the sea. The coffin-shape for the dead to lie within in his shroud; The shape got out in posts, in the bedstead posts, in the posts of the bride’s bed; The shape of the little trough, the shape of the rockers beneath, the shape of the babe’s cradle; The shape of the floor-planks, the floor-planks for dancers’ feet; The shape of the planks of the family home, the home of the friendly parents and children. Where thrift is in its place, and prudence is in its place. what can it do now? A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Served in building the buildings that last longer than any. Cornice, trellis, pilaster, balcony, window, shutter, turret, porch. Than this nothing has better served, it has served all, Served the fluent-tongued and subtle-sensed Greek, and long ere. The preparatory jointing, squaring, sawing, mortising, The hoist-up of beams, the push of them in their places, laying, Setting the studs by their tenons in the mortises according as they. The echoes resounding through the vacant building; The huge storehouse carried up in the city well under way. The axe leaps! He stands mask'd, clothed in red, with huge legs and strong naked. Walt Whitman: Song of the Broad-Axe, Part 3. The glad clear sound of one's own voice, the merry song, the natural life of the woods, the strong day's work, The blazing fire at night, the sweet taste of supper, the talk, the bed of hemlock boughs, and the bear-skin; --The house-builder at work in cities or anywhere, The … or any chef-d’oe. Shapes of factories, arsenals, foundries, markets. The disembarkation, the founding of a new city, The voyage of those who sought a New England and found it—the outset. Learn more. or a prepared constitution? Weapon shapely, naked, wan, Head from the mother's bowels drawn, Wooded flesh and metal bone, limb only one and lip only one, Gray-blue leaf by red-heat grown, helve produced from a … The film consists of a series of vignettes structured around the theme of building a life for yourself in Walt Whitman's 1856 poem, "Song of the Broad Axe." Capitols of States, and capitol of the nation of States. Initially the broadaxe signifies the constructive and creative spirit of the pioneers, their great zest and initiative, which … Pictures & Sound. Where the city of the faithfulest friends stands. I do not vaunt my love for you; I have what I have.) The antique European warrior with his axe in combat. The hoist-up of beams, the push of them in their places, laying them regular. Away! The loose drift of character, the inkling through random types, The butcher in the slaughter-house, the hands aboard schooners, Lumbermen in their winter camp, daybreak in the woods, stripes, The glad clear sound of one's own voice, the merry song, the, The blazing fire at night, the sweet taste of supper, the talk, the. Roar, flames, blood, drunkenness, madness, Goods freely rifled from houses and temples, screams of women in, Craft and thievery of camp-followers, men running, old persons. (Whom have you slaughter'd lately European headsman? Where the slave ceases, and the master of slaves ceases, Where the populace rise at once against the never-ending audacity, Where fierce men and women pour forth as the sea to the whistle, Where outside authority enters always after the precedence of. And the future is no more uncertain than the present. The floor-men forcing the planks close, to be nail’d. The house-builder at work in cities or anywhere. The six framing-men, two in the middle, and two at each end, carefully bearing on their shoulders a heavy stick for a cross-beam. The poetic documentary film, The Song of the Broad Axe, uses an iconic object to explore the lives of people who have chosen to live a more purposeful life -- one that involves using an axe on a daily basis. or a prepared constitution? Shapes of the two-threaded tracks of railroads. Welcome are lands of wheat and maize—welcome those of the grape; Welcome the cotton-lands—welcome those of the white potato and sweet potato; Welcome are mountains, flats, sands, forests, prairies; Welcome the rich borders of rivers, table-lands, openings; Welcome the measureless grazing-lands—welcome the teeming soil of orchards, flax, honey, hemp; Welcome just as much the other more hard-faced lands; Lands rich as lands of gold, or wheat and fruit lands; Lands of mines, lands of the manly and rugged ores; LANDS OF IRON! All does very well till one flash of defiance.